paranormal

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At there’s a few US shows that I quite like:  Ghost Hunters International, UFO Hunters, and Hell’s Kitchen.  In Ghost Hunters International a team of everypeople go around the world investigating supposedly haunted places with lots of dubious equipment – like a camera with its IR filter taken out – which they keep referring to as ‘full spectrum’ (it’s not), and, of course, the requisites of any latter day ghost hunt – handicams, closed circuit rigs, digital voice recorders, that sort of thing.

In UFO Hunters three presenters (Bill Burnes – Alien UFO Believer – wears dark glasses indoors, Pat Uskert – UFO believer, Ted Acworth – scientist/sceptic/MythBusters effect beneficiary)  investigate UFO sightings, past and present. Speaking to witnesses, official documents, looking at out of focus videos shot by idiots, and checking for evidence. In Hell’s Kitchen a load of people line up to be sodomised (metaphorically) by Gordon Ramsay in the hopes of winning a job in a restaurant.  And they cook a bit too.

What’s interesting about all three isn’t the content or the subject.  The content and subject of the programmes are delivery mechanisms for the production.  With Ghost Hunters International, and UFO Hunters, the investigations results are usually ambiguous,  a bitch if you want exciting an engaging.  So, almost inevitably, they have exquisitely crafted soundtracks, and suspenseful narration.  Hell’s Kitchen no doubt has its share of in real life drama, but what’s clever is the way that the narrative is formed.

If they didn’t story board it I’d be amazed.   Not because drama didn’t happen, in that sense it’s real, but because they’ve got to convey things concisely as part of an overall narrative.

All three shows have  gone one-step further than old school reality television because the soundtrack is crafted to each situation, which influences the general mood of the content to the point that the content is no longer king.  It’s like selecting paragraphs from a book,  and controlling their new context with an additional narrative driven by the music.  The jarring sound effects on Ghost Hunters International are great, as are the riffs on Hell’s Kitchen.

There’s plenty of other reality shows that are driven by the production, particularly American reality shows, but, Ghost Hunters International and UFO Hunters pretend they’re not  – everything is made to look authentic in an existential sense  – and Hell’s Kitchen is the opposite – it’s very hard to see it as anything other than production driven entertainment, it is so in your face, right down to substantial and dramatic recaps at the start of the show.

All three shows are bollocks.   But that’s not the point.

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Ghosts, the paranormal, and the associated arse frippery (psychics), are bollocks.   But there’s quite a few shows on television about it.  Taking a hard nosed, cynical, amoral position, for the purposes of this, it makes financial sense to make television programmes trading on people who like that sort of thing.  Because there’s a demand for it.

Thing is, I (kind-of) like the shows, because it’s people walking around dark places, and walking around dark places is scary.  Once I got lost in a forest, at night, while a bit drunk, and got into a panic.  It’s not that I believe in ghosts; it’s just that something primal kicks-in when you’re in the dark, alone, in the middle of nowhere.  After a bit I thought, to the best of my recollection, “fuck-it”, and fell asleep by a tree.  Luckily it was summer, luckily it wasn’t raining, and I wasn’t paralytic. So no hypothermia, exposure, or choking on my own vomit.  I got woken up by a fat dog-walker (golden retriever) at about 05:30, aching to the point that it hurt to walk, and with a mammoth hang-over. Seriously stupid.

Watching programmes like Most Haunted Live can send a little bit of a chill down your spine, if you’re in a exhausted, stupefied, frame of mind (not shouting things like “you feel cold because you’re panicking you fuckwit” at the screen). They can induce a pleasant form of mild hysteria.  I like that.  But – they don’t do it as well as the BBC’s prescient, and fictional, Ghostwatch.  Ghostwatch was Most Haunted/Ghost Hunters before they existed.  Without the grating dramatic sound effects of modern ‘reality’ paranormal shows.  Can’t recommend Ghostwatch enough.  It’s a little dated but it’s still very clever indeed (the style of the programme was identical to BBC live shows in the early 1990s, and featured real BBC presenters, presenting).

You can watch Ghostwatch here.

Most Haunted/Ghost Hunters and the spin-offs are kind of horror/drama lite – the very mildest of  shocks and drama.

Such shows have become like certification bodies for (supposedly) haunted places; imagine the visitor boost for any locations that have been featured on a show.  I think it is human nature that people, some say sensible people, will cheat, mess with the television people that make the shows, because having them say “this place is definitely haunted” is an incentive in itself.   It wouldn’t be difficult to do, if you spend more than a second thinking about it.

But back to Ghostwatch…

What I like best about Ghostwatch (the fictional and better than the ‘real’ shows drama) was that it fucked with the viewer.  Split second flashes of apparitions reflected on patio doors, 50/50 evidence, etc. – great stuff.  If there was a fictional modern Ghostwatch-alike, that kept to the spirit (ha-ha) of playing with the viewer, and the attention to detail (OK – the girls’ accents were a bit wonky, but the locations/costume/equipment used/carpets even were spot-on), it could be quite good.  Ghostwatch, until the last bit, was indistinguishable from real BBC live shows it dramatised.   Decent drama that provides a similar ‘spooky’ fix could, in the absence of viewers getting a fucking clue-stick and shunning the paranormal, drain viewers from programmes like Most Haunted/Ghost Hunters.

Notice I didn’t mention Paranormal State.  A man has limits.  If Most Haunted/Ghost Hunters are retarded – Paranormal State is down with potatoes.

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Watch the video of the Dewitt County, Texas Chupacabra (goat sucker) sighting.  Click here to see for yourself.

Why not browse the fine news coverage of the sighting.  Click here to behold the amazing news.

And to finish off your tour of the strange why not consider a hog hunting holiday near Dewitt County, Texas?

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When newspapers, and many others, use the phrase scientist or scientists, it is usually to assert that something has some kind of innate authority.  It’s silly.   We are all guilty of turning off our brain sometimes when an expert says something, because they’re an expert; we are conditioned somewhat to listen to experts, because, within the scope of their expertise, they’re probably right.  But it’s not clever to accept anything without examination.  It’s not the fault of experts per-se.  It’s a universally accepted truth that some people are arseholes or a bit bonkers.  Even experts. Most people aren’t.

On to Dr Edgar Mitchell – scientist: I don’t think Edgar Mitchell is an arsehole.  I also think what he has to say is somewhat newsworthy because of who he is.

I don’t think he’s a liar (people who believe stuff aren’t).  I don’t think he’s harmful.  Unlike the overwhelming majority of people he has been to the moon.   In a recent Kerrang Radio interview he unequivocally stated that extraterrestrial life exists.  But, from what I’ve read, unless life is very rare, there is likely to be life on planets capable of supporting it.  I’m not closed minded about it.  Belief in extraterrestrial life is not that controversial, it may turn out to be wrong, and I’d accept that.  I think he’s wrong to be so definite about it.

Unfortunately he then goes on to say that extraterrestrials have visited earth.  I think this is highly unlikely because of the stellar distances involved.  Space is very big.  The nearest star to the sun, Proxima Centuri, is 4.2 light years away; at light speed that’s 4.2 years travel.  39.69 trillion km away.  39,690,000,000,000 km.  Fast-as and faster than light travel are probably impossible.  It’d be great if it were possible, imagine a computer that received messages before it sent them.   Life could be much farther away than 4.2 light years.  There may not be life near Proxima Centuri.  Technologically advanced life may be significantly rarer than life.

For such reasons it is highly unlikely any extraterrestrial would visit earth without spaceships that could travel at speeds that make long distance travel practical well within their life-span.  I don’t think that’s a controversial opinion.

Edgar Mitchell elaborates, according to him, not only have aliens visited earth, but they’ve also been in contact with governments.   If aliens were visiting earth, contacting governments superficially makes sense.  They administer a lot of things, and they’re supposed to be representative.  But I question why any advanced beings would want to get involved.   There are several problems.  Firstly, any exchanges of technology or knowledge would give whichever geographic grouping of primitives a huge advantage over the other primitives.  So it would have to be done selectively or globally.  Even selectively as soon as the others found out there’s potential for trouble.

Secondly, assuming that extraterrestrial visitors have paid attention to the last couple of centuries, in which millions of people have died in various conflicts, I would think the transfer of technology to us as a species could be a bit of a risk.  Unless the aliens retained a bigger stick.  We have not behaved rationally towards each other.

But…

What really annoys me about Edgar Mitchell, and disclosure UFO people in general, is that it rests on foundations that are made of anecdotes.  It’s always something that has been heard ‘in intelligence circles’ or something on the grapevine.  Some expert clique.  If they want to be taken seriously by sane people they need Who, Where, When, and Why  – but they conveniently hide behind the same secrecy they claim to be against.

“Who told you?”

“Can’t say – it’s secret”

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One of the nice things about digital cameras, from the humble camera phone, to DSLRs, is EXIF data.   Photos taken often contain a record of the ISO speed, focal length, and exposure settings.  They’re not entirely reliable because they can be edited.   But often it would be obvious because it would contradict the properties of the picture.

www.northamptonparanormal.org.uk

In the case of paranormal photos, like the above, as featured in The Telegraph:

English Civil War ‘ghost’ captured on film by paranormal enthusiasts

It would be very interesting to see the settings with which the photo was taken.  Even  on automatic mode settings are recorded.

In the case of the Northampton Paranormal Group photo I have a few hunches about the camera settings.  In my opinion:

  • The camera was operating at ISO-400 or above equivalent film speed.  In my experience digital compacts, and to a lesser extent DSLRs, choose high ISO speeds with flash photography outdoors (when on automatic).  High ISO speeds are generally noisy.  Luminance and colour noise.
  • The photo has manually had its saturation increased, colour curves altered, or some kind of adjustment of colour levels.  As a rule of thumb underexposed  areas are subtly noisy  with digital cameras (varies between cameras – DSLRs are generally better, but not immune – try setting camera exposure compensation down two or three steps then readjust in Photoshop – voila noise has appeared).  Luminance and colour noise.  High ISO speeds exacerbate things further.    So anything that reflects light or dimly emits light, in the dark areas, will show up in very odd hues and indistinct shapes if the saturation of the photo is increased.
  • I think it is likely that a combination of high-ISO settings, a short flash, and manually increasing the photos saturation in an image editing photo has led to a man shaped pattern.

I would like to see the EXIF data from the original file.  I suspect a row of trees/undergrowth in a really dim silhouette.

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Interesting interview with Derren BrownPart 1 & Part 2.

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Jon Ronson often respects the people he writes about and has empathy for the people he writes about. Here’s an article in today’s Guardian about Robbie Williams’ search for answers. I think that’s what it is. I suspect that Robbie Williams, given his experience with psychics, is on a road to scepticism, by a circuitous route. I think there’s a lot of people, like Robbie, who are intelligent, and looking for answers, and find out bit by bit that the paranormal does not stand up to scrutiny. People like Robbie are distinct from those who are deluded or refuse to hear counterarguments. He’s actively seeking answers and discarding things that he finds out are false. Given he was in Take That from aged 16, he’s probably playing catch-up. Robbie Williams is the kind of person that should be visiting websites like The Skeptics Dictionary and reading about critical thinking. To get both sides of the story, in a spirit of balance.

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It’s very annoying when the tiny focal length of a compact digital camera, combined with a flash close to the lens, creates little circles of light from out of focus particles in the air. Aside from the proximity of the flash I suspect the depth of field is a key element, dependent on the aperture sizes available on various digital compacts and the size of their CCD sensor. But I’m no expert. I think that’s a logical explanation for ghost ‘orbs’. Rather than this madness. In the case of 35mm film cameras what’s the bet they’re using a 50mm or less with a small aperture? It would be interesting to experiment with the effect – it’s probably difficult to reproduce with a decent film camera or DSLR – so novel effects may be found that professionals haven’t used. For instance using a large cardboard box with the top and bottom removed as a frame with various thin fishing wire grids with tiny reflective objects at intersections. Shooting through it with the flash.

Don’t the Daily Mail employ professional photographers? Couldn’t they have asked one? Ask yourself those questions and more when you read this.

Picked up on via the Bad Science forums.

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