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The situation with the BBC is not wholly of its own making. The corporation has been pressured to be popular, and, simultaneously, a public service broadcaster. And many people moaned when it was a public service broadcaster, during the patriarchal age of broadcasting. Now people are moaning that things have gone too far the other way. Quite correctly. My argument against popularity at the expense of quality is fairly simple: If the BBC makes programmes in popular formats, that are of the same quality as those available on commercial channels (or worse), there is nothing to distinguish it from the commercial channels. Making questions about the license fee inevitable. That is the situation today.

The assumption about an audience, needed to arrive at a conclusion of inaccessibility, is worrying. Accessibility is totally wrong. The most patriarchal thing since Abraham is that broadcasting needs to be accessible. I don’t necessarily think there’s an assumption people are stupid, but suspect there’s an assumption people are not interested in complexity. So, as a result, controversial issues turn into tabloid, bite size chunks, which alarm people irresponsibly, or presentation heavy documentaries, light on detail and low in accuracy. Maybe people being turned off by politics, science, the arts, and current affairs, is, in part, because they associate it with ‘accessible’ broadcasting. People sense that they’re being spoken down-to.

There should be an assumption that the majority of people are not stupid, and that complex subjects should be presented to inform. That is a different assumption from accessibility, because it assumes the viewers are intelligent and capable of learning. That not everything in a documentary needs to be so dumbed down it is accessible to the majority of viewers. People are capable of looking things up that interest them. The BBC used to produce decent fact sheets. As such there is zero replay value in many BBC current affairs programmes, and documentaries, because the information within them is so light very few people would have a problem with remembering their contents. Unless distracted by the special effects, and music track.

The BBC needs to compete to survive and in order to compete, with the other channels, many of whom are now producing documentaries of acceptable quality, the BBC needs to produce documentaries that are better. They desperately need to take a step-backwards. Until the late nineties BBC documentaries were the envy of the world. The BBC is the broadcaster best placed to attract the next David Attenborough(s) and needs to do that right away if it is to survive.

And the BBC could. Because the talent tucked away in places like BBC 4, a channel that receives a tiny fraction of the license fee and speaks for itself. Likewise Radio 4. Accessibility should be regarded as a failed experiment.

It virtually goes without saying that producing reality television, from talent shows to DIY, when everyone is doing it, makes the BBC less distinguishable from the commercial channels. Sacrificing long-term survival for short-term popularity. BBC 3 is, to my mind, schizophrenic, veering between sub-Channel 4 youth television, and, occasionally, decent drama/comedy. Half of what is on BBC 3 is done on commercial channels, and often better. I don’t think there is a dearth of talent – the talent is out there – the BBC needs to aggressively seek it out.

Someone needs a big brush to sweep away accessability and replace it with talent. Talent should reflect the subjects they’re involved in. There should be no more broadcasters covering subjects that leave them so out of their depth they look stupid.

Much of the above applies to the rest of the media but I don’t care about them as much as the BBC. I would like to be able to mock foreign friends about how much better BBC documentaries are than theirs. I felt smug when I could do that.