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	<title>Twonilblankblank &#187; banter</title>
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	<link>http://www.twonilblankblank.com</link>
	<description>Every RPG I have ever played is a lie</description>
	<pubDate>Thu, 15 May 2008 20:06:11 +0000</pubDate>
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		<title>Another example of BBC treating audiences like they&#8217;re school children:  PS - Richard Scott grow-up</title>
		<link>http://www.twonilblankblank.com/2008/05/15/another-example-of-bbc-treating-audiences-like-theyre-school-children-ps-richard-scott-grow-up/</link>
		<comments>http://www.twonilblankblank.com/2008/05/15/another-example-of-bbc-treating-audiences-like-theyre-school-children-ps-richard-scott-grow-up/#comments</comments>
		<pubDate>Thu, 15 May 2008 14:31:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Media]]></category>

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		<category><![CDATA[economics]]></category>

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		<category><![CDATA[finance]]></category>

		<guid isPermaLink="false">http://www.twonilblankblank.com/?p=346</guid>
		<description><![CDATA[
Oil prices are rising because of speculation.  The current supply, believe it or not (I don&#8217;t care), exceeds demand, even taking into account China.  The speculation is a result of uncertainty and people moving into commodities (rather than equities).
The rise in wheat prices are partially the result of increased demand for meat in [...]]]></description>
			<content:encoded><![CDATA[<ul>
<li>Oil prices are rising because of speculation.  The current supply, believe it or not (I don&#8217;t care), exceeds demand, even taking into account China.  The speculation is a result of uncertainty and people moving into commodities (rather than equities).</li>
<li>The rise in wheat prices are partially the result of increased demand for meat in China.  <em>Not  a &#8216;western style diet&#8217;.  More meat requires more food for livestock.  But it&#8217;s not the principle factor</em>.  Last year there were several droughts.  Not least in Australia.    Similar things happened to major rice producing countries last year.    Blaming China is wrong and misleading.</li>
<li>There is not a linear relationship between inflation in China and the prices of Chinese exports.   That would be overly simplistic in the extreme.    China is going to suffer from inflation, but as a side effect of increased prosperity and modernisation.   Rather than a simplistic relationship between food and oil prices.</li>
<li>There is a weak causal relationship between biofuels and the price of food.</li>
<li>Chinese imports are one of the factors that has helped control inflation in the UK.  A minor factor given the percentage of Chinese goods as proportions of inflation indices.</li>
<li>The Government measures of inflation are reliant on indices.  So to say prices “on average have risen 3%” is an unwarranted generalisation based on an index.   Real inflation may differ.   A better phrase would be that prices tracked by X index have risen.  Anything else is lazy.</li>
</ul>
<p>With that in mind please watch the following:</p>
<p><a href="http://news.bbc.co.uk/1/hi/uk/7399738.stm" target="_blank">What keeps inflation rising?</a></p>
<p>And ask yourself whether it did a good job.  I think it is misleading and does a poor job of explaining things. One gets the impression that Richard Scott thinks the increased wheat prices are because of Chinese people eating vast quantities of toast.</p>
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		<title>Tentative thoughts about how to save the BBC</title>
		<link>http://www.twonilblankblank.com/2008/05/05/tentative-thoughts-about-how-to-save-the-bbc/</link>
		<comments>http://www.twonilblankblank.com/2008/05/05/tentative-thoughts-about-how-to-save-the-bbc/#comments</comments>
		<pubDate>Mon, 05 May 2008 01:00:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
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		<guid isPermaLink="false">http://www.twonilblankblank.com/?p=310</guid>
		<description><![CDATA[The situation with the BBC is not wholly of its own making.  The corporation has been pressured to be popular, and, simultaneously, a public service broadcaster. And many people moaned when it was a public service broadcaster, during the patriarchal age of broadcasting.  Now people are moaning that things have gone too far [...]]]></description>
			<content:encoded><![CDATA[<p>The situation with the BBC is not wholly of its own making.  The corporation has been pressured to be popular, and, simultaneously, a public service broadcaster. And many people moaned when it was a public service broadcaster, during the patriarchal age of broadcasting.  Now people are moaning that things have gone too far the other way. Quite correctly. My argument against popularity at the expense of quality is fairly simple:  If the BBC makes programmes in popular formats, that are of the same quality as those available on commercial channels (or worse), there is nothing to distinguish it from the commercial channels.  Making questions about the license fee inevitable.   That is the situation today.</p>
<p>The assumption about an audience, needed to arrive at a conclusion of  inaccessibility, is worrying.  Accessibility is totally wrong. The most patriarchal thing since Abraham is that broadcasting needs to be accessible.   I don&#8217;t necessarily think there&#8217;s an assumption people are stupid, but suspect there&#8217;s an assumption  people are not interested in complexity.   So, as a result, controversial issues turn into tabloid, bite size chunks, which alarm people irresponsibly, or presentation heavy documentaries, light on detail and low in accuracy.  Maybe people being turned off by politics,  science, the arts, and current affairs, is, in part, because they associate it with &#8216;accessible&#8217; broadcasting.   People sense that they&#8217;re being spoken down-to.</p>
<p>There should be an assumption that the majority of people are not stupid, and that complex subjects should be presented to inform.  That is a different assumption from accessibility, because it assumes the viewers are intelligent and capable of learning.   That not everything in a documentary needs to be so dumbed down it is accessible to the majority of viewers.   People are capable of looking things up that interest them.  The BBC used to produce decent fact sheets.  As such there is zero replay value in many BBC current affairs programmes, and documentaries, because the information within them is so light very few people would have a problem with remembering their contents.  Unless distracted by the special effects, and music track.</p>
<p>The BBC needs to compete to survive and in order to compete, with the other channels, many of whom are now producing documentaries of acceptable quality, the BBC needs to produce documentaries that are better.  They desperately need to take a step-backwards.   Until the late nineties BBC documentaries were the envy of the world.  The BBC is the broadcaster best placed to attract the next David Attenborough(s) and needs to do that right away if it is to survive.</p>
<p>And the BBC could.  Because the talent tucked away in places like BBC 4, a channel that receives a tiny fraction of the license fee and speaks for itself.  Likewise Radio 4.  Accessibility should be regarded as a failed experiment.</p>
<p>It virtually goes without saying that producing reality television, from talent shows to DIY, when everyone is doing it, makes the BBC less distinguishable from the commercial channels.   Sacrificing long-term survival for short-term popularity.   BBC 3 is, to my mind, schizophrenic, veering between sub-Channel 4 youth television, and, occasionally, decent drama/comedy.  Half of what is on BBC 3 is done on commercial channels, and often better.  I don&#8217;t think there is a dearth of talent - the talent is out there – the BBC needs to aggressively seek it out.</p>
<p>Someone needs a big brush to sweep away accessability and replace it with talent.  Talent should reflect the subjects they&#8217;re involved in.   There should be no more broadcasters covering subjects that leave them so out of their depth they look stupid.</p>
<p>Much of the above applies to the rest of the media but I don&#8217;t care about them as much as the BBC.  I would like to be able to mock foreign friends about how much better BBC documentaries are than theirs.  I felt smug when I could do that.</p>
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		<title>Jeremy Vine in a cowboy suit doing an American accent</title>
		<link>http://www.twonilblankblank.com/2008/05/02/jeremy-vine-in-a-cowboy-suit-doing-an-american-accent/</link>
		<comments>http://www.twonilblankblank.com/2008/05/02/jeremy-vine-in-a-cowboy-suit-doing-an-american-accent/#comments</comments>
		<pubDate>Thu, 01 May 2008 23:51:44 +0000</pubDate>
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		<guid isPermaLink="false">http://www.twonilblankblank.com/?p=304</guid>
		<description><![CDATA[Tonight&#8217;s local election coverage on BBC News 24 is, aside from David Dimbleby, completely crap.  I am currently watching Jeremy Vine do a really shit American accent, dressed as a cowboy, reading out truly woefully described statistics about the Liberal Democrats.   It&#8217;s really difficult to watch.  It&#8217;s as if someone has decided that local election [...]]]></description>
			<content:encoded><![CDATA[<p>Tonight&#8217;s local election coverage on BBC News 24 is, aside from David Dimbleby, completely crap.  I am currently watching Jeremy Vine do a really shit American accent, dressed as a cowboy, reading out truly woefully described statistics about the Liberal Democrats.   It&#8217;s really difficult to watch.  It&#8217;s as if someone has decided that local election coverage needs to be fun.  Fun in the sense of   BBC Children&#8217;s Television fun.  My eyes feel soiled.  I hope someone puts the Jeremy Vine clip on YouTube because I did not make this up but doubt anyone will believe me.</p>
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		<title>Medical reality television is interesting</title>
		<link>http://www.twonilblankblank.com/2008/04/28/medical-reality-television-is-interesting/</link>
		<comments>http://www.twonilblankblank.com/2008/04/28/medical-reality-television-is-interesting/#comments</comments>
		<pubDate>Mon, 28 Apr 2008 21:56:13 +0000</pubDate>
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		<guid isPermaLink="false">http://www.twonilblankblank.com/?p=294</guid>
		<description><![CDATA[Reality television, and derivatives, are mostly crap because they attract attention whores and drama-enhancing producers.  It rarely documents.
I think I&#8217;m on safe ground saying shows about people with ugly and/or embarrassing medical conditions, are a modern freak-show.  Especially reality television that deals with disfigurement. Such programmes often have fuck-all to do with the people they [...]]]></description>
			<content:encoded><![CDATA[<p>Reality television, and derivatives, are mostly crap because they attract attention whores and drama-enhancing producers.  It rarely documents.</p>
<p>I think I&#8217;m on safe ground saying shows about people with ugly and/or embarrassing medical conditions, are a modern freak-show.  Especially reality television that deals with disfigurement. Such programmes often have fuck-all to do with the people they purport to document – I&#8217;m not being callous - it&#8217;s just that disfigured people are cheaper than actors and the make-up is better.  Quite often they get paid peanuts in the process. The documenting comes second to the sights and sounds. But&#8230;</p>
<p>If people can be desensitised to disfigurement, is it a good thing for disfigured people?  If viewers become desensitised to disfigurement, in real-life they will stare less, and, maybe, be less afraid.  Which would be a good thing.  However, given the tenuous and complex links between violent television and violent behaviour, it&#8217;s probably difficult to say that desentisation will lead to better treatment of disfigured people.  In the same way that it can&#8217;t be said violent television is ever the primary factor contributing to violence. I don&#8217;t think freak-shows, aside from supplying an income to the performers, improved the lot of disfigured people.  Still, I&#8217;m an optimist, I hope that there are positive side-effects to the modern freak-show.</p>
<p>A seriously negative side-effect of this, could be that in order to maintain viewers, medical reality TV will perpetually search for more extreme medical conditions.   In order to maintain shock value.  Like soap operas adding an explosion or violence.  Reality TV will  have to go to poor countries to find people shocking enough. Poor people with extreme medical conditions, on our screen, for titillation. Which, if it generates awareness of medical conditions in poor countries, isn&#8217;t such a bad thing.  The next thing is people may empathise. Tourist destinations may be shamed into action.  But..</p>
<p>It could still just be about titillation. I don&#8217;t, for a second, think that the majority of medical reality television is made for any altruistic reason at all.  I don&#8217;t think it&#8217;s immoral and I&#8217;m not even sure it&#8217;s all that harmful, but I do think it amoral, in that it boils-down to viewing figures, and best commercial practice.   Change will be in response to a changing audience.  I hope people become so desensitised to disfigurement John Merrick could walk down the street naked and people would be more shocked by his penis than his elephantiasis. </p>
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		<title>Food glorious food!</title>
		<link>http://www.twonilblankblank.com/2008/04/26/food-glorious-food/</link>
		<comments>http://www.twonilblankblank.com/2008/04/26/food-glorious-food/#comments</comments>
		<pubDate>Sat, 26 Apr 2008 04:40:20 +0000</pubDate>
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		<category><![CDATA[newpapers]]></category>

		<guid isPermaLink="false">http://www.twonilblankblank.com/?p=292</guid>
		<description><![CDATA[The food sections of broadsheet newspapers are annoying.  The  featured reciples are cooked by no-one but the authors,  such people play boules and feel smug about it, and other such habits.  And, worst of all, have witty, yet somehow tasteful, jumpers for informal situations.  They are supernaturally smug toss-pots.  [...]]]></description>
			<content:encoded><![CDATA[<p>The food sections of broadsheet newspapers are annoying.  The  featured reciples are cooked by no-one but the authors,  such people play boules and feel smug about it, and other such habits.  And, worst of all, have witty, yet somehow tasteful, jumpers for informal situations.  They are supernaturally smug toss-pots.  The other bits of the food section are made up of critics - who think they&#8217;re interesting - and a smorgasbord, a panoply, of wanky narrative so refined it would make Lawrence Llewelyn-Bowen swoon.</p>
<p>Give me recipes that are good but don&#8217;t require fucking around.  When I say fucking around I mean by my standards of fucking around.  Not some jumped up chef or foodie who hunts down fucking apples from farms that are, naturally (what else would they be?), rustic and genial.  Or bits where it says the timing of something is essential.  If I want to cook or buy things where the timing is essential I&#8217;ll go to a bit more effort than following a recipe from some broadsheet which is essentially toilet roll with print.  Like buy a cook-book or get some training.</p>
<p>So.  Down with the old media!   Surf the net!   Never click adverts!  Stick it to Hugh Fernley-Wittingstall.  Come on!  The man&#8217;s a cock.  Except buy the Guardian on Saturdays, because Ben Goldacre&#8217;s Bad Science column is in it.   Also buy it when Charlie Brooker,  (sometimes) Polly Toynbee, or Jon Ronson have articles.</p>
<p>Alternatively, just be grown up, and buy loads of newspapers all of the time and don&#8217;t read the annoying bits.</p>
<p>Leave the food bit and life-style section on the train.  A foodie may pick it up, cook a recipe from it and choke on a bone, with hilarious consequences.  Like they immediately cough up the bone, trip on a roller-skate, do all their own stunts and appear in Phantom of The Opera.  Then get killed by a amorous moose while searching for maple fucking syrup.</p>
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		<title>Imagine if Caxton had done smut</title>
		<link>http://www.twonilblankblank.com/2008/04/21/imagine-if-caxton-had-done-smut/</link>
		<comments>http://www.twonilblankblank.com/2008/04/21/imagine-if-caxton-had-done-smut/#comments</comments>
		<pubDate>Mon, 21 Apr 2008 03:30:57 +0000</pubDate>
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		<guid isPermaLink="false">http://www.twonilblankblank.com/?p=281</guid>
		<description><![CDATA[At the start of the popularisation of the Internet there were a lot of people with dubious Tank-Girl haircuts, William Gibson novel in hand, making wild predictions about Virtual Reality and the like.  Even William Shatner got in on the act with TekWar.   The days of the two Williams.  With the abundance of Internet mania [...]]]></description>
			<content:encoded><![CDATA[<p>At the start of the popularisation of the Internet there were a lot of people with dubious Tank-Girl haircuts, William Gibson novel in hand, making wild predictions about Virtual Reality and the like.  Even William Shatner got in on the act with TekWar.   The days of the two Williams.  With the abundance of Internet mania it&#8217;s gotten a bit clichéd to go on about how the Internet is going to change things.</p>
<p>Adam Hart-Davis, if you can get over being spoken to like a 5 year old nephew, and his avuncular mien, made quite good documentary called “The Thinkynge Revolution” as part of his “What the Tudors Did For Us” series.  You can watch it <a href="http://video.google.com/videoplay?docid=-4067698955472861305&amp;hl=en" target="_blank">here</a>.  Although, of course, future historians may refer to the Internet Revolution as the Pornography Revolution and say things like “imagine if Caxton had done smut”.</p>
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		<title>Ephemeral self indulgent shit</title>
		<link>http://www.twonilblankblank.com/2008/04/13/ephemeral-self-indulgent-shit/</link>
		<comments>http://www.twonilblankblank.com/2008/04/13/ephemeral-self-indulgent-shit/#comments</comments>
		<pubDate>Sun, 13 Apr 2008 22:37:06 +0000</pubDate>
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		<guid isPermaLink="false">http://www.twonilblankblank.com/?p=258</guid>
		<description><![CDATA[I think there should be a general rule of blogging that when you&#8217;re depressed you shouldn&#8217;t blog.  Almost universally it comes across as self-indulgent shit.  Earlier today I posted a post that in retrospect was so mental it was potentially funny.  In a laughing at a mental tramp bothering people outside of Boots kind of [...]]]></description>
			<content:encoded><![CDATA[<p>I think there should be a general rule of blogging that when you&#8217;re depressed you shouldn&#8217;t blog.  Almost universally it comes across as self-indulgent shit.  Earlier today I posted a post that in retrospect was so mental it was potentially funny.  In a laughing at a mental tramp bothering people outside of Boots kind of way.  To give you a vague idea of what the post was like, at the end I compared the Conservative party and New Labour to a saggy pox afflicted arse.  I had a mental picture of diseased cheeks belonging to the same arse.   Thing is: I hate people that try to convince people of stuff. It&#8217;s not that I object to people expressing their opinions it&#8217;s just I think it&#8217;s possible that vehemence is a mask for ill-thought out ideas.  With stuff I&#8217;m sure about if people agree that&#8217;s fine and if they don&#8217;t they don&#8217;t.  I&#8217;m still right. If I&#8217;m being vehement it is a sign of not being sure I&#8217;m right.  So the long-winded psychiatrists wet dream of a post had to go.</p>
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		<title>Shit post</title>
		<link>http://www.twonilblankblank.com/2008/04/12/shit-post/</link>
		<comments>http://www.twonilblankblank.com/2008/04/12/shit-post/#comments</comments>
		<pubDate>Fri, 11 Apr 2008 23:39:13 +0000</pubDate>
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		<description><![CDATA[I visited someone in hospital a couple of days ago, on a post-operative ward filled with people plumbed with tubes pumping poo and wee, and I think I&#8217;ve picked up the famous shitting lurgies.  Whereby you don&#8217;t feel all that unwell but have got a bit of a sore throat and occasionally have cramps [...]]]></description>
			<content:encoded><![CDATA[<p>I visited someone in hospital a couple of days ago, on a post-operative ward filled with people plumbed with tubes pumping poo and wee, and I think I&#8217;ve picked up the famous shitting lurgies.  Whereby you don&#8217;t feel all that unwell but have got a bit of a sore throat and occasionally have cramps that precipitate running.  So I will not be in London tomorrow.  I intend to walk somewhere where there are nearby toilets or wooded cover.   I&#8217;ll keep a bog-roll in my camera bag.  The idea of shitting myself in central London terrifies me.</p>
<p>This is a shit post.  Sometimes I think there&#8217;s a collusion between all of the atoms in the universe to smite me, like Job (the proto-Jesus), in the good book.  Fnord.</p>
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		<title>Quail eggs, fire, Jeremy Clarkson + K Foundation, Ribena, and, finally, a fish-finger sandwich (wholemeal bread - I&#8217;m not an animal)</title>
		<link>http://www.twonilblankblank.com/2008/04/11/quail-eggs-fire-jeremy-clarkson-k-foundation-ribena-and-finally-a-fish-finger-sandwich-wholemeal-bread-im-not-an-animal/</link>
		<comments>http://www.twonilblankblank.com/2008/04/11/quail-eggs-fire-jeremy-clarkson-k-foundation-ribena-and-finally-a-fish-finger-sandwich-wholemeal-bread-im-not-an-animal/#comments</comments>
		<pubDate>Fri, 11 Apr 2008 00:05:07 +0000</pubDate>
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		<description><![CDATA[I would never  poach a quail egg.   Quail eggs are OK.  Nothing special.  Small eggs.  You eat them and think “hmm.  That&#8217;s OK”.   I won&#8217;t eat hem unless someone else is buying them and someone else is cooking it.   This isn&#8217;t an issue of [...]]]></description>
			<content:encoded><![CDATA[<p>I would never  poach a quail egg.   Quail eggs are OK.  Nothing special.  Small eggs.  You eat them and think “hmm.  That&#8217;s OK”.   I won&#8217;t eat hem unless someone else is buying them and someone else is cooking it.   This isn&#8217;t an issue of snobbery.   I feel the same way about black pudding.  And beer.   And newspapers.  You don&#8217;t have to prepare beer unless you are opening a can or pouring it yourself.   That&#8217;s preparation of a sort.</p>
<p>You can prepare newspapers by finding discarded newspapers on the train, scrunching the pages into loose balls, and putting them in a big pile in your back garden.  Then joyfully spunk methanol all over them (from a spare lens cleaning kit), and set fire to them.  Shouting “I&#8217;m burning the media,  man – and I didn&#8217;t even pay for it”. (I have no respect for people who burn flags because, often, they&#8217;ve bought the flag.  It&#8217;s mental).   Then read the websites of the newspapers you have burnt without ever, ever, clicking on the advertising links.</p>
<p>Even if they&#8217;ve got a potentially good deal on a camera advertised or a featured book written by the sub-editor&#8217;s wife&#8217;s nephew.   Then, much later, when the awful realisation dawns on you that you&#8217;ve made a Jeremy Clarkson/K Foundation-like statement (I suspect they&#8217;re one and the same).  Hang your head in shame and drink Ribena.   To wash down a fish-finger sandwich.  And have a good hard think.</p>
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		<title>The equation for a great film-drama character (press release bukkake)</title>
		<link>http://www.twonilblankblank.com/2008/04/07/the-equation-for-a-great-film-drama-character-press-release-bukkake/</link>
		<comments>http://www.twonilblankblank.com/2008/04/07/the-equation-for-a-great-film-drama-character-press-release-bukkake/#comments</comments>
		<pubDate>Sun, 06 Apr 2008 23:37:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
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		<guid isPermaLink="false">http://www.twonilblankblank.com/?p=238</guid>
		<description><![CDATA[There are qualities that exist in all great film-drama characters that are hard to pin down.   It is too simplistic to say that the characters have depth or complexity because some great film characters aren&#8217;t complex and don&#8217;t have depth.  An element may be that while a part of  a narrative, [...]]]></description>
			<content:encoded><![CDATA[<p>There are qualities that exist in all great film-drama characters that are hard to pin down.   It is too simplistic to say that the characters have depth or complexity because some great film characters aren&#8217;t complex and don&#8217;t have depth.  An element may be that while a part of  a narrative, at some point in the film, (or even all of it) a great character&#8217;s motivations are not obvious to the viewer.  So elements of the character are open to interpretation and the character is interesting as a result.  Another factor may be the freshness of a role.  As defined by the script and/or director and/or acting skills.  A memorable character  - because they&#8217;re novel and a benchmark by which others will be judged.  And, I suppose, the pathos or revulsion the character can elicit from an audience.</p>
<p>All in varying proportions.  Of course.  One day a twat will paid peanuts to put together a shoddy equation for the benefit of a cinema chain.  Who&#8217;ll pump out press releases on the unsuspecting public like bukkake.  Mopped up by the news.</p>
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