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Hardhouse-ish condensed song. Doesn’t really kick in until ~1.05 more pissing around.

Bollocks. I commented. Ignore the title. They’re for fans of genre fiction and people with a reasonable expectation of what is to come.

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Beat oscillation.

Bad back distraction #mumble. Now I’ve relaxed a bit time for a painkiller. Wanky but it works.

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As Ben Goldacre has pointed out, programmes for nerds and those with nerdish tendencies, are few and far between on television. The same is true of photography. We live in an age where ownership of photographic tools is widespread.  Camera phones and compact digital cameras are ubiquitous. Many people don’t realise the degree to which, in terms of artistic capability, the type of camera is irrelevant. Good photos are good photos.

Chase Jarvis demonstrates this with his book of iPhone photography: The Best Camera is The One That’s with You (picked up on via Ken Rockwell). Most photographers, in my experience (I’m not a photographer, I’m a hobby master), use particular kit because it makes their job easier, but given a camera phone, or compact digital camera, will produce photographs with artistic merit. Because the greatest common factor between the camera phone or compact, and the professional kit, is the photographer. A pro may require particular professional kit to do their job, but without the underlying skill, it’s irrelevant.

Most, if not all, contemporary technology shows focus on the latest gadgets, rather than what people actually own. It would be a truly wonderful thing if there was a photography show that engages and interacts with an audience, with a particular emphasis on technology that everyone owns. I say interacts because a major part of the show could be viewer submitted pictures.

A magazine format hosted by people with a genuine interest in photography. The show could focus on things common to all photography: lighting, location, composition and colour. So it’s relevant to people regardless of the camera they own. Segments on things like The Rule of Thirds, how time of a day affects a photograph, etc., and, at the end of the show, solicit picture from viewers using things discussed in the programme. Using whatever they have at hand.

There could be segments on professional photography, and photographers. Giving viewers an insight into the world of professional photography. Covering things like fashion photography, commercial photography, wildlife photography, landscape photography, (s)urban photography, paparazzi celebrity photography, and so on. Even photographic history could be examined.

I don’t know, maybe I’m being all old fashioned and Reithian about it. It’d be perfect for the BBC. But I really hope someone commissions a show like that. I claim no ownership of the idea (take it! take it! I have about five to ten ideas a day), it seems obvious to me, and could be talking bollocks. It is, after all, the internet.

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The Jeremy Kyle Show

At the risk of every written word post on this blog descending into Lee & Herring’s Ironic Review I’m going to write a little about The Jeremy Kyle Show. For readers outside the UK The Jeremy Kyle Show is superficially similar to The Jerry Springer Show, but distilled to pack as much drama as possible into an hour, and a host that takes a strong moral stance. It includes lie detector tests, and DNA paternity tests, regular as a metronome. Recently I saw an episode, for the first time, and watched several others, somewhat agape. Here’s an excerpt on YouTube.

The show’s guests are predominantly poor, uneducated, and with substance abuse problems. The theme is often infidelity, dysfunctional families, and relationships. Both sides of an argument are aired, followed by an exposition vehemently extracted by the host, culminating in the results of a DNA or lie detector test. Many of the guests of The Jeremy Kyle are single parents, often with multiple children one or more of whom’s paternity is uncertain. A recurring theme is teenage pregnancy, drugs, crime, and alcohol.

If William Hogarth were alive today he would be illustrating episodes of The Jeremy Kyle Show. Much like Hogarth’s Gin Lane illustrated deprivation and immorality in England, the show illustrates parts of life in the UK that are very difficult not to view in terms of right and wrong. Most of the bad behaviour exposed on the show is indefensible.

I find it questionable that the show individualises the poor choices of the show’s guests. There’s a huge paradox when a teenage mother is being criticised for stupid choices, and her mother, who is at least as fucked up as the daughter, is brought on stage. Said teenage mother being asked, earnestly by Jeremy Kyle, why she made such stupid choices, while sitting next to her a repugnant and immature person who brought her into the world.

I don’t for a second want to suggest a fucked up background automatically leads to a fucked up life, there are plenty of people who are successful despite of a dysfunctional or traumatic past. It’s an insult to people who’ve surmounted such problems to assume. A fucked up background isn’t a guarantee of a fucked up person, but I’d be willing to bet it helps. Asking an inarticulate, semi-literate, fool “Why did you do it?”, seems redundant when evidence abounds for how difficult it would be not to make stupid decisions with such an upbringing.

If I had to describe the show in one word it would be: Intervention. The show intervenes in messed up lives and attempts to rectify problems. For entertainment purposes and advertising revenue.

It has an after-care team of (I assume) professionals to help solve problems blighting the guests’ lives. Which makes Jeremy Kyle’s moral stance paradoxical. On the one hand reducing the problem to morality soundbites – but, on the other, admitting the complexity of problems, and dealing with them in a reasonable way. The Jeremy Kyle Show itself, rather than the guests, is an indictment of a society that deals with complex social problems in a well funded and suitably complicated way through a television show’s after-care service.

It’s entertaining. Drama is entertaining. Jeremy Kyle is a competent and charismatic host. The guests stories are often so fucked up they elicit grim but frequent lols, of the black humour FFS variety. I wonder if viewers see it as something stupid and wrong but complicated, or stupid and wrong, but reduced to individuals. I hope not. The show has more than enough context. But I have a feeling that it’s about laughing at fools, and the undeserving poor.

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There is a very silly American show called Deadliest Warrior.  It compares historical fighters by exploring what their weapons are capable of and  fighting technique.  It’s fun stuff.  Blowing stuff up, chopping stuff up, and testing weapons.  A recent episode explored a fictional Shaka Zulu vs William Wallace scenario.  It culminates with a computer model battle to decide the outcome.  It’s got a veneer of scienciness and a narrator who probably smokes to keep husky.

Problems: There seems to be little no reference to environment.  The first thing I thought when I saw the title of the show was “in what environment?”.   It’s important. Styles of combat are as much affected by geography and logistics as many human endeavours.

How long would William Wallace be able to wield a claymore in South African heat?  How long would someone in traditional Zulu dress cope with Scottish weather? Further to that how are a given warrior’s tactics adjusted to the environment they live in?  What did the warrior do the day before?  Could have marched miles because of inferior strategy.

Superior weapons are a huge part of it.  But to assume inferiority solely on the basis of inferior weapons seems a bit, well, retarded.  Most successful armies, and warriors, have great logistics.  But logistics is boring.  Then there’s strategy and tactics.  Less boring, but complicated.  There’s so many factors involved that would determine something seemingly simple like a one-on-one fight.

Deadliest Warrior is a late night conversation between drunk stereotypical beer advert blokes.  “In a highly unlikely, ideal environment for both sets of combatants, fighting fit, in a one-on-one fight, who would win between He-Man and Lion-O?” without the caveats or references to cartoons.  Essentially comparing deadly warriors (in their environment) in a fictional environment.  It’s like Japanese bug fights.

I still kind of like Deadliest Warrior but then I like a lot of nonsense.  I don’t begrudge the show.  Just people who view it as anything other than entertainment.

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I’m watching a mind-fuck via the BBC called “Blood, Sweat, and Takeaways” (it’s on iPlayer). It’s the televisual equivalent of slumming it. Six typical young people are taken to work in developing countries – to work in factories and occupations that sell to the west. First problem is the typical people chosen as the subjects for the show, are naïve, loud, and rude. I’m all for that. Provided it’s funny. It’s not. They’re English Borats. Maybe it’d be funny if I wasn’t English.

I somewhat hope they’ll be mugged. But whatever I hope has no bearing on the subject. To think otherwise is magic thinking, and you’ll go to hell for magic thinking. I know, in theory, the show is good: giving people that don’t read, and have no imagination, an idea of what global consumerism means for people. But in reality it’s just another reality show.

About a bunch of typical people, that apply for a show, are pre-screened, pre-approved, in a fish out of water scenario, acting like twats.

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My back hurts, I’m not in an objective and happy place, but feel compelled to write. I was reading Charlie Skelton’s reports from the Bilderberg Conference, near Athens, Greece. I’ve watched and read Jon Ronson‘s reporting of the same subject, which was excellent, and set the bar high when it came to objective reporting of the subject. I read Skelton’s pieces with prejudice, and, to be frank, thought they were mildly amusing. The levity with which he covered the subject felt a bit insincere and affected. Until he got arrested.

I’ll declare here that I sort-of agree with the internationalist agenda. I don’t think Bilderberg are inherently evil or a threat to world democracy. I don’t think it’s at all straight-forward. There’s lots of competing centres of powers in the world. The world is as complicated as people, and because of that, conspiracies have a habit of not working, or being a kind of paraeidolia.

However many powerful and/or influential people attend Bilderberg Conferences. I can see why there needs to be privacy. Many of the people attending are, rightly, scrutinised by a partisan and intrusive press. There needs to be outlets where important things can be discussed without press and public scrutiny. Taking decisions behind closed doors is wrong and distinct from discussions behind closed doors. I don’t believe Bilderberg Conferences are about decisions.

Charlie Skelton sounds quite sheltered. He doesn’t strike me as particularly political person, or the kind of person that is particularly streetwise. He’s a stereotypical (I don’t mean this as an insult) middle class humorist reporter. Seems polite, fairly deferential to authority, not overtly or covertly political, isn’t an activist, seems temperate, and not much of a threat.  Maybe, just maybe, a threat to cups of tea, and biscuits, and weeds in his garden.

So, hearing and reading about him getting arrested (three times), put under overt surveillance, and generally harassed by authorities guarding the event, it strikes me as an incredibly twatty and, totally, utterly, pointless, thing. Maybe I’m wrong and The Guardian sent him to angrily micturate, all beered up, at passing limousines, and have him seagull passing dignitaries on the golf course. But I think that is very unlikely.

Instead, the Bilderberg Conference via the Greek police have given ammunition to every conspiracy theory on the internet. Well done Bilderberg. Well done.

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When I’m in front of the modern day idiot (savant) box, reading the papers, I often have a YouTube video opened in another tab, playing music. While I appreciate the benefits of modern consumerism and globalisation leading to mutual dependence (touch wood*, a bit less war than usual), and wholeheartedly believe in advertising (you get adverts as good as the gits watching them), when a flash animated advert takes up 90% of CPU time it really fucks up music. I now associate certain brands with stuttering music. And newspapers.

You know who you are. In that regard, in my experience, The Guardian is less likely to have browser crippling adverts than other newspaper websites. I’m desperately trying to stretch this out. The this in question being: ‘slow flash adverts are annoying’. Everything you’ve read prior to that is irrelevant fluff. You’d think it’d be easy talking bollocks. It isn’t. You have to make a concious effort. I’ve steadily built up an admiration for Jeremy Clarkson. He could stretch slow flash adverts are annoying to at least three A4 pages.

Seriously, I’m just going to look around the room and start typing. German for orange juice is orangen saft. Can’t go much further with that. See. Clarkson’s a fucking genius at talking bollocks. He could get ten A4 pages talking about himself.  A book even. Genius.

Fuck-a-diddly-dee.

I was about to post the above, but then thought, well, Jeremy Clarkson is an easy target. Kind of like standing naked in front of a mirror pointing at your knob and saying something akin to ‘knob lol’. It’s not (that) big and it’s not clever (damn you sentence order). Talking bollocks is an art. Not quite up there with Tacita Dean or (insert ironic, yet apt, choice here). They (Tacita Dean, ironic choice) don’t talk bollocks, they (insert relevant descriptions).

When I met (insert fluff namedrop here) last (insert date) we (tangential anecdote). (Clichéd witticism). (Serious point).

(Stupid fucking concluding paragraph that badly sums up those preceding it, followed by a product or media plug).

At least Jeremy Clarkson doesn’t do that. (Insert bit where I add that he’s still a twat).

* This is a phrase. It’s an appeal to a supernatural force that don’t exist. I am also, bad back bored belligerent,  trolling.

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